Blog 4
I have a second confession to make. I actually quite admire Taylor Swift. I know, I know. I know she gets a lot of hate, and a lot of people don’t necessarily see her music as “real music”, whatever that means. I know liking her music is sometimes seen as “uncool”- how dare any serious musician say they like her stuff, it’s only for silly teenage girls. But if I’m honest, fewer and fewer people treat the whole Cantopop market as “real music” as well, so perhaps we kinda do share that in common. 🤷🏻♀️ So who am I to diss it? I actually really admire her, and definitely count her as one of my previously unspoken inspirations. I do resonate with the way she writes... because it’s kind of the way I write.
I recently watched her NPR Tiny Desk Concert, and if you don’t know about Tiny Desk, perhaps you could check it out and be inspired - it’s a YouTube channel where artists and musicians perform in a tiny cramped space behind a work desk - and it’s brilliant. I love the rawness of it, the realness of it, and the closeness of it. It takes what happens on a big stage into your average office work space. It was a surprise to see Taylor Swift there, because it usually features up-and-coming artists or jazz musicians, performances of which I enjoy thoroughly also. But this was a surprising one, and so I clicked. I admit I even got a tad bit emotional after watching it, not because of anything else but the fact that I can resonated with so so much the stuff she said about songwriting and her creative process, and I enjoyed how she picked the songs and played completely alone, stripped down and raw, in the songs’ demo versions. In between songs, she shared thoughts and her creative process so openly and vulnerably, and how she wrote her songs as self-therapy, usually with just one instrument, in her pajamas, in the middle of the night. In that format, she somehow still managed to find a dominant spot in the mainstream and manufactured pop world - and that was so reassuring for me because that’s how I have written a TON of my songs.
Very, very early on in my career, before R&K, one producer once said to me, “you’re not the best singer, you’re not really a great guitar player, piano you’re a little better but still not that great... but with everything put together, mayyyybe you would be able to become a little bit of something.”
And for me, to see someone like Taylor Swift do so well in this world, someone who doesn’t belt like Beyoncé, doesn’t shred on the guitar like John Mayer, doesn’t play keys like Alicia Keys, doesn’t riff like Ariana Grande... for someone like Taylor Swift to be the mega success that she is... is undeniably impressive, and downright inspiring to me. She doesn’t use fancy techy gear, she doesn’t use fancy chords, she doesn’t do fancy grooves or sing fancy riffs. She just writes songs like she writes her diary - but she’s also smart and catchy and commercial about it. She is an amazing storyteller of her own life, and without necessarily being the best at singing or any instrument, she was the best at telling her unique stories. With everything put together, and a strong belief in herself - she has used this creativity of hers to garner millions and millions of fans all around the world.
Sometimes, the mastery of a craft looks different for different people. Sometimes it’s not about technical perfection. Sometimes, those who are imperfect, broken, hurt, but headstrong, open, authentic, courageous, and unapologetic are more interesting. It’s like found their own way to harness their scars or life experiences, and turn them into doors leading to their eventual evolution through creativity. They tell stories instead of showing off. It’s reassuring and also comforting that this still sells, with this much competition in the market, and resonates with me so much.
I then watched the TED talk by Elizabeth Gilbert, author of Eat Pray Love after the tiny desk because Taylor said she watched it with tears when inspiration didn’t come. And I just teared myself also. Touched tears. Tears of inspiration. Tears of joy in finding people that seem to think like me, who share the weight of my worries, but are successful and made an impact in the world. I found myself nodding viciously in agreement idiotically in my own living room, when they share the anxieties, insecurities and fears that typically consume the mind of creatives. I am definitely an overthinker so I’m a victim of all that was mentioned. Ok, you’ll have to watch it to understand. But it felt like I was meant to listen to this. It’s based on the daunting feeling of failure when inspiration doesn’t come, or feeling like your best work is “untoppable” and therefore your best days are behind you. But inspiration isn’t from within you. Inspiration is this mysterious force in the universe, and you just have to catch it when it comes, and even when it doesn’t, just keep showing up for your part of the job anyway until it does. And when time comes, let inspiration, this outer force in the universe take over. You don’t have to be sad for writing a bad song, or too proud for writing a good one. Don’t beat yourself up, and just keep doing what you do. Leave that fear behind you. Absolutely life changing.
And with this, I’m gonna go turn on my water tap of inspiration and try to work on some songwriting now. Thanks for checking in 🙂
Till next time.
Choose love, and bring light.
xRobynn
#robynnblogs
Do share what you think on what my next confession should be. 🙂
同時也有5部Youtube影片,追蹤數超過13萬的網紅itsAmanda!,也在其Youtube影片中提到,There’s no score available, this cover was done by ear. 周杰倫6首經典情歌串燒來了! 明明就、青花瓷、擱淺、楓、手寫的從前、退後 周杰倫的歌比一般歌手的歌不容易聽膩 不管是旋律、和弦、還是歌詞都很特別 所有歌的key我都是照著原本的 沒有升...
「as you find me chords」的推薦目錄:
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- 關於as you find me chords 在 王艷薇 Evangeline Facebook 的最讚貼文
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as you find me chords 在 王艷薇 Evangeline Facebook 的最讚貼文
推推推!
我老闆真的酷!
My BOSS SIFU really cool!
陶山
來吧來吧🤗
陶山是一位知名的华语流行乐制作人,知名作品有陈芳语的【爱你】,谢和弦和王诗安的【爱不需要装乖】,林宥嘉的【感同身受】等等。在西雅图长大的陶山因为一首莫文蔚和柯有伦的 [爱死你]而来到台湾,开始为这里的音乐圈写歌与制作。今天的陶山因为写过许多金曲已是圈子里有口碑的金牌制作人,也为这事你啊来的华语流行音乐产业丰富许多。最近,他对音乐的热情被导入他新的音乐品牌SKR Music, 透过这个品牌他希望能够让更多好艺人,好的华语音乐被更多人看到。
适用人群:
• 对音乐行业有兴趣的社会各界人士,音乐背景不限。
时间:22/5/2019 - 24/5/2019
(星期三至星期五)
大师级音乐课室系列
Skot Suyama 陶山 Vocal
Production Master Workshop
Master Bio:
Skot Suyama 陶山 is a Mandopop record producer best known for penning hit tracks such as Kimberley Chen’s 爱你, R-Chord’s 爱不需要装乖, Yoga Lin’s 感同身受 and many more. Born in Seattle and of Japanese-American ancestry, he came to Taiwan after the success of his first song, Karen Mok and Alan Kuo’s ‘爱死你’ which kickstarted his interest and contributions to the Mandopop scene at large. A well-respected veteran producer within the industry for his ability to write hit songs, Skot has been a direct contributor to many representative works of the contemporary Mandopop scene over the last decade. In the last few years, his passion has led him to start his own record label SKR Music, under which he hopes to hone artistically-sound artists and music which bring Mandopop to the wider world.
Master Workshop Duration: 3 days
1. What is Vocal Production?
What does a vocal producer do?
2. Gear basics. Mic, Pre-Amp, EQ, Compressor
3. Setting up the Pro-Tools session, getting ready for the artist
4. Meeting the artist: getting to know what kind of artist they are, and the psychology of recording an artist. The mental and psychological aspects of a singer
- When to push
- When to listen
- How to read a singer and what they really mean when they complain
- How to get the arrangement super comfortable in the headphones, and balance the reverb, and delay so that the singer can give you their best performance
- The ‘groove’ of a recording session
- How much ‘pre-roll’ to give
- How much time to give between takes for the singer to res their voice
- The different backgrounds of singers and how that effects the recording technique. For example, Singers that developed their skills from Karaoke or singing competitions often like to sing the entire song through to get the right emotion for each part. Singer Songwriter or demo singers who have a recording background usually prefer to go part by part, etc. While seasoned veteran singers may prefer to speed through a recording session either because they’re busy and need to go to their next engagement, or because they already know the power of the computer and vocal editing.
- How long should you chat with a singer before recording? Get to know them and start building trust before you even press record.
- How to keep the singers confidence always high, so you can get the best performance out of them.
- When to make a comment, and when to just let the singer keep singing. What happens to the singer’s confidence when you give a negative comment like ‘You’re out of tune’, or ‘you’re rushing’ etc.
- When to show the artist another way of singing a certain line. And when to give up on your idea.
- How to create a bond with the singer in very short amount of time, so that you both are on the same team and both doing your best for the song
Skill Sharing course:
1. Recording the artist and selecting takes, different approaches to recording the song
2. Finding harmonies, and recording harmonies. Going in depth with many examples. How to find the 3rd, and the 5th harmonies and how to adjust them according to what the chords are playing behind. How many tracks to record, and how to pan them. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (王艳薇)框不住的爱
3. Adding ad-libs. Showing examples of when the ad-libs are too much, or in the wrong place. Showing the corrected examples. Example pro-tools sessions : (王艳薇)天使亲吻过的声音, (陈忻玥)Just You and Me,
4. Tuning vocals. Bring in a session and show them step by step how I tune vocals in all of my vocal productions. Example pro-tools session : (陈忻玥)Nobody Ever Wonders, (王艳薇)天使亲吻过的声音
5. Adjusting the timing of vocals / Aligning vocals. Show step by step using previous pro-tools sessions of songs that I’ve created. How to edit the timing of rap vocals. Example pro-tools session : (陈忻玥)Just You and Me, (李杰明)神秘
6. Trouble Shooting Vocal Editing. Get rids of pops and clicks, and bad cross fades. Show examples of each, and how to solve common vocal editing problems. Example pro-tools session : (傅又宣)Better This Way Unplugged
每晚7点至11点
地址:Livehouse @Lion Studio
115B Commonwealth Drive
Singapore 149597
课时:共12小时 (3节课,每节课4小时,英文再加一点点外国人华文授课)
费用:S$550新元/-
网上报名:http://Skot.peatix.com
咨询:+65 81800537 或 contact@livehouse.sg
(备注:报名者需预付200元订金*,此金额将从总费用中扣除。余下金额(例: S$550新元-S$200新元= S$350新元)
直接支付于Livehouse Pte Ltd
咨询方式:+65 81800537
或 contact@livehouse.sg
Date : 22nd-24th May 2019
( Wednesday- Friday)
Time: 7pm-11pm
Total No. of Hours: 12Hrs
(4Hrs x 3 lesson conducted in English )
(Note: Register here with S$200 deposit*, which will be deducted from the total fees. The rest amount (e.g. S$550-S$200= S$350/-) is directly payable to Livehouse before workshop commences.)
Contact +65 81800537or email to contact@livehouse.sg for enquiries.
* The S$200/- Deposit is non-refundable in the event that the attendee wishes to withdraw from the workshop on day of commencement!
as you find me chords 在 Gregory 河國榮 Facebook 的精選貼文
我是國榮。來自澳洲昆士蘭省,讀中學時成績非常好,分數已足夠在大學選讀任何一科。當時我希望成為一名醫生,因為可以幫助他人。我在新南威爾斯大學讀醫科,第一年是住在雪梨北區一個朋友家中,第二年入住大學國際宿舍,宿舍規定最少有半數是留學生,不是澳洲人。最先兩年結識了不少香港、新加玻、馬來西亞的朋友,與他們很合得來,不過最重要是入住宿舍後,便遇到了香港的流行歌曲。有一天我行經走廊時,聽到一些很悅耳的音樂,我便問同學這是甚麽歌曲及可否借給我欣賞,他便借了給我。我已忘記是Leslie還是Alan的歌,但肯定是其中一位。因為很喜歡這些歌曲,便到唐人街購買,後來一邊聽歌一邊看歌詞,因此慢慢地學識了很多中文字。
因為喜歡唱歌,所以在大學的同學活動,開始演唱中文歌,也曾參加香港學生會舉辦的歌唱比賽,參賽歌曲是「愛的根源」,結果獲得亞軍。我很清楚記得,國際宿舍為了文化交流,每年舉辦一次國際晚宴,希望不同種族的學生可以表演和分享文化。Leslie在一九八五年 唱Monica獲得獎項,那是一首我很喜歡的歌曲,所以在文化交流晚會我便選擇唱Monica。當時同學覺得很驚奇,我怎可能唱Monica。我是跟着錄影帶,學習他的舞步和唱歌技巧。我不停地在公眾地方練習,其他同學看到我很用心練習,也過來幫助我。在台上表演時有幾位同學為我伴舞,當晚演出非常成功。
一九八五年Leslie和幾位香港天皇巨星,來澳洲開演唱會。演唱會的主辦公司,需要義務司機,朋友問我能否當義務司機。我答應了,後來知道是當Leslie的司機。有一天他放假不用排練,我們便駕車往坎培拉,當日天氣多雲有微雨,甚麽也看不清楚,喝過咖啡後便離開,回程是Leslie駕駛,他的英語非常好,途中我們愉快地暢談,這次旅程對我來說是很重要的事情。
一九八六年Alan到來澳洲,我又當了他的司機。在他入住的酒店,介紹人在偶像面前,誤把我的名字說成河詠麟,當時在偶像面前我也不懂怎樣矯正。大約有兩年很多人以為我是河詠麟。他的四位女和音,知道我懂得唱他的歌,所以告訴了他,在排練那天他叫我上台一起唱。認識Leslie 和Alan兩位巨星,對我的影響很大,聽到他們的歌,和看到觀眾的反應,我開始對香港的歌唱發展很重視。
因為常常想着唐人街和唱歌,沒有用功讀書,因此醫科的第三年考試不合格,需要重讀,在一九八六年重讀了三個月便決定退學。
後來做了三份洗碗碟工作,還做了個多月砌磚的工作,我把工作一年多,所得工資儲起來,買了一張單程機票和帶了一千澳元,便到來香港發展。唯一的準備是問一個朋友能否到他的家中居住。他的父親很勉強地答應,但需要收租金。我甚麽準備也沒有,只是刻意買了一張單程機票,是因為不想遇到少許困難便放棄,返回澳洲。
初到香港時甚麼都不認識,沒有計劃,也沒有朋友。我最先是住在廣播道,但我的朋友不是在那裡居住,因為他還在讀書。初來時沒有事做,所以在外面逛了幾天,有一天意外地行到紅磡體育館,中門外有四名男士在吸煙,他們竟然叫我河詠麟。原來他們是Alan的樂隊成員,在一九八六年見過面,但相隔一年,竟然還可以記起我,這就是緣分。當時Alan正在為演唱會排練,他們帶我進去體育館,這樣便再見到Alan。一九八七年的演唱會是三十一場,我看了三十場。本來打算看足三十一場,但是有少許問題出現,因為我住的地方有規定,晚上十時半後便會關門,不會再讓人進出。但演唱會是不會這麽早便完場,每晚看完演唱會,我會行去尖沙嘴,然後再步行回廣播道,然後在公園外的石椅小睡,到五時公園開門便進去睡覺,但最終因捱不住,有一晚沒有去看演唱會。有一次Alan突然問我,今晚可否上台唱歌,我說當然可以,便成為他的嘉賓。我第一次表演Alan十分開心,但第二次他在台上介紹,有一個外國人,唱他的歌十分出色,當他呼喚河詠麟出場,因為我不在場,所以沒有出現。後來他問我為何沒有出現,我便向他解釋原因,他便安排我入住酒店,直到演唱會完結。所以便有第三次呼喚我上台,這是我第二次成為嘉賓跟他一起唱「朋友」,真是十分興奮。到八月他的生日會也有邀請我做嘉賓,其實每一件發生的事情都是有關係的。
後來我在北角僑冠大厦租了一間劏房居住,有一次從北角行到中環,看到一間職業介紹公司的招聘啟示,我便前往應徵。當時職員說我可以教英文,但我不是教師,他認為沒有問題,便介紹我到一間補習社工作。在補習社工作了幾個月,有一位同事看到一張電視台的海報,需要招聘 一個西方人,但要懂得說中文。我致電應徵,他是一位獨立經紀,我說沒有經驗和廣東話也不是很好,他說沒有問題。我便去見一位電視台女監製,她給我一段英文劇本,要我讀出來。因為很緊張,五分鐘都不能出聲,我跟自己說,不嘗試會後侮一生。那一段對白是警官責備下級,責備人一定是很大聲的,所以我便很大聲說出來。當時她正在做自己的事,沒有再理會我,但我的叫聲使她大吃一驚。因為沒有其他外國人給她選擇,她無奈地聘請了我,這套劇集需要兩個西方人,另外一位是當主角,從那時開始,便在電視台工作了二十年。
二零一四年九月我在N o w T V的一個音樂節目做嘉賓,在一間音樂室裡我和三位節目主持人,唱歌和談論音樂。到最近才知道,他們三位是100毛的老闆。到聖誕100毛找我拍攝雜誌封面,我不知為何找我拍攝封面,原來三位老闆是認識我的,只是我自己不知道。
二零一五年八月他們聯絡我,他們有一首歌,問我會否願意演唱,那首歌曲我很熟悉,歌詞十分口語化,應該可以學到的。但當時是星期五,表演是在星期日,只得兩天時間作準備,所以我很用心練習。舞台是有電視屏幕可以看到歌詞,但我盡量避免看電視屏幕,只是有需要時才看一看,便可以放心地唱。能夠上台非常開心,我可以扮了演一個角色,唱一首悅耳和有趣的歌,觀眾很熱鬧和興奮,真是十分難得。我知道這是一生一次,這不是自己可以做到,是他們給我機會。那首歌很受歡迎,而且登上了流行榜。聖誕節前他們聯絡我,表示將會舉辦總選,問我會否參加,我便欣然答應了。當天每位表演者,會有兩首歌曲,在十二月廿六日接到新歌,我從沒有聽過那首歌,是一首說唱歌曲,而且歌詞很陌生,對我來說十分困難,所以我不停地練習了四百多次。當晚表演由Now T V直播,有七十萬人觀看,想不到自己能夠獲得香港區最受歡迎男歌星獎,當宣佈我的名字時,極度開心,無人能想到,唱出真香港的歌曲,是由一個西方人唱出,可以感動到別人。這是天時地利人和,超乎現實,簡直是一個奇蹟。因為那首歌不是我揀選,是別人給我的,練習這首歌時眼睛常常都會充了滿淚水和很感動。
西方人在香港發展演藝事業是十分困難的,機會不多,只能扮演一些無關重要的角色,但我從來沒有想過放棄。五年前我計劃灌錄一張唱片,因為胃酸倒流,把聲帶灼傷,使我聲音變得沙啞,這件事使我非常懊惱,因為辛苦練習多年,卻發生了這個問題,後來我矯正了唱歌方法,問題得以改善,可以繼續唱歌,現在準備為唱片再進行錄音工作。
最近有很多關於少數族裔的事情出現在我身上 ,現在我為一個港台節目做旁白,是關於少數族裔在香港。他們在本地娛樂圈發展是十分困難,因為在一個有九成是同一種族的地方,看電視或電影,也是會看自己的種族,未必會看少數族裔。如果他們幾個人合作,做一個節目,然後在網上發放,是有機會成功。香港有很多少數族裔居住,有些人的中文比我好,他們也愛香港。
我心目中的香港人,是要做香港人做的事,吃香港人吃的食物,關心香港,不看膚色,希望他們也能說廣東話,最重要是覺得香港是自己的家,這便是真正的香港人。
I am Gregory. I hail from Queensland, Australia. During my high school years, my grades were excellent. They were good enough for me to enroll in any subject that I wanted to in university. At that time, I wanted to become a doctor because I could help others. I studied Medicine at the University of New South Wales. In my first year, I lived in my friend’s home located in North Sydney. During my second year, I lived in International House at the university. It was a rule for the school campus to have at least 50 percent overseas students. They cannot be Australians. I met a lot of Hong Kong, Singaporean and Malaysian friends in my first two years. I was able to get along with them very well. But what is most important was that after living in International House, I came across Hong Kong pop music. One day I was walking along the corridors and overheard beautifully melodic music. I asked my classmate what music he was listening to and if he could lend me the music to listen to. He leant it to me.
I have forgotten whether it was the music of Leslie or Alan. But I am sure it was one of them because I really liked that kind of music. I went to Chinatown to buy it. Eventually, I listened to the music as I read the lyrics. In turn, I slowly picked up a lot of Chinese characters.
I attended many different functions to perform Cantonese songs in university because I really liked to sing. I also attended a singing competition organized by the Hong Kong student association. The competition song was ‘Root of Love’. In the end I won second runner-up. I clearly remember International House wanted to organize cultural exchanges so they held international banquets each year. Their hope was for students from different ethnic backgrounds to perform and share their culture.
In 1985, Leslie won an award for singing ‘Monica’. It was a song that I really loved. During the international cultural exchange banquet, I chose to sing ‘Monica’. At that time my classmates were very surprised. How can I sing ‘Monica’? I followed the videos to learn the dance steps and singing techniques. I kept on practicing in public. Other students witnessed how hard I was practicing and came over to help me out. A few classmates became my accompanying dancers as I danced on stage. The performance that night was extremely successful.
Leslie and a group of Hong Kong superstars visited Australia to hold concerts in 1985. The concert organizer needed a voluntary driver. My friends asked me whether I wanted to be the voluntary driver. I accepted the offer. In the end I found out that I would become Leslie’s driver. There was one day when he was on break and did not need to rehearse. We drove to Canberra. It was cloudy and there was light rain on that day. We could not see clearly. After having a coffee, we left. Leslie was next to drive. His English was very good. During the journey back we chatted happily. The trip was very important to me.
In 1986, Alan came to Australia. I was also his driver. Our mutual friend misread my name as “Ho Wing Lun” in front of my idol during his stay at the hotel. I was not able to correct him at the time because Alan (“Wing Lun”) was my idol. Many people thought I was called “Ho Wing Lun” for around two years. His four back-up singers knew I was able to sing Alan’s songs. That was why they told him about it. During rehearsal day, he told me to sing with him on stage. Knowing superstars like Leslie and Alan had a great impact on me. To be able to listen to their songs and to witness the reactions from the audience led me to become interested in a singing career in Hong Kong.
I did not put in a lot of effort in my studies because I always thought of Chinatown and singing. Consequently, I failed my medical examinations in my third year. I had to re-take my subjects. In 1986, I re-took my studies for three months but then I decided to quit school.
In the end I juggled three dish washing jobs and also many months of brick laying work. I saved up a whole year of my salary and bought a one-way ticket to Hong Kong. I also carried $1000 Australian dollars on me. I then went to Hong Kong to develop my career. I only asked my friend whether I could stay at his place as preparation to living in my new homeland. His father reluctantly agreed but had to receive rent. I did not have anything equipped or prepared. I only purposely bought a one-way ticket because I did not want to easily give up when I encountered minor difficulties and return to Australia.
When I first arrived in Hong Kong, I did not know anything. I did not have any plans. I also did not have any friends. Initially, I lived in Broadcast Drive but my friend did not live there because he was still studying. I did not have anything to do at first. That was why I hung around Hong Kong for several days. One day, by coincidence, I came across Hung Hom Coliseum. At the entrance, there were four men smoking. They noticed me and surprisingly called out “Ho Wing Lun”. They were, in fact, members of Alan’s band. We have first met in 1986. Surprisingly, they remembered me after a whole year. That is called fate. At that time, Alan was preparing for his concert. The four men brought me inside the Coliseum. I saw Alan. There were 31 shows in his 1987 concert. I watched 30 of them. I intended to watch all 31 shows but there was a slight problem. There were rules at my guest house. After ten thirty each night, the door to the home will be locked. Nobody was allowed to enter or leave the house. But concerts do not end so early. So, after watching each concert in the evening, I would walk to Tsim Sha Tsui and then walk back to Broadcast Drive. I would sleep on the concreate seats outside the park. When the park opens at five in the morning, I will go in and sleep. Eventually, I was unable to handle it. One night I cannot watch a show. Once Alan asked me “Can you sing on stage tonight?” I told him “Of course I can.” I became his special guest. Alan was extremely happy when I first performed. By the second show, he announced that: “There is a westerner who can sing my songs very well.” He called out my name “Ho Wing Lun!” But because I was not at the scene, I did not show up. Eventually, he asked me why I did not show up. I explained my reason to him. He then arranged a hotel for me to stay at until the end of the concert. That was why he was able to call me out the third time! That was my second time as special guest singing “Friends” with him. It was exhilarating. In August, he introduced me as a special guest at his birthday party. Actually, everything happens for a reason and everything is interconnected.
Soon after, I rented a tiny flat at a building in North Point to live in. I walked from North Point to Central once. I came across a recruitment agency looking to hire. I went in to give it a shot. At that time, the staff said I could teach English but I was not a teacher. The staff said it was not a problem and introduced me to work at a learning center. After working there for a few months, a colleague saw a TV station’s poster. They were looking to recruit a westerner but that person needs to be able to speak Cantonese. I called to give it a try. The person who answered was an independent agent. I told that agent I had no experience and my Cantonese was not very good. The agent told me it was not a problem. I went to see the TV station’s female producer. She gave me an English script and wanted me to read it out. I was so nervous that I did not utter a word in five minutes. I told myself, if I do not try, I will regret it for life. The dialogue depicted a police telling off a subordinate. When you tell someone off, you must be very loud so, I read my lines out very loudly. At that time, the female producer was doing her own work and did not care about me but because I was so loud, I frightened her! As there were no other westerners for her to choose from, she had no choice but to hire me. The TV show required two westerners. The other westerner played the main character. From then onwards, I worked at the TV station for twenty years.
In September 2014, I appeared as a guest on a NowTV music program. I was in a band room with the three show hosts. We sang and discussed music. Only recently, I found out that they were the Founders of 100 Most. When it was Christmas, 100 Most invited me to appear on the cover of their magazine. I did not know why they wanted me to do it – only to find out that the Founders of the magazine already knew who I was! It was just me who did not know that.
In August 2015, 100 Most contacted me and asked me whether I wanted to sing this particular song. I was very familiar with the song lyrics. The lyrics were very colloquial. I should be able to learn it. It was Friday. The performance was on Sunday. I only had two days to prepare for it. That was why I practiced very hard. The stage showcased the lyrics. But I tried my best not to look at them. I would only glance at them when I needed to. I felt more confident and assured as I sang.
I was extremely elated to be able to perform on stage. I can play a role singing a wonderful and amusing song. The audience was super warm and excited. It was a moment to be treasured. I know this can only happen once in my life. It cannot be done by myself. It is because I was given a chance by 100 Most. The song was very popular and hit the charts. Before Christmas, 100 Most contacted me and expressed that there would be a final election of the songs. They asked me whether I would like to participate. I was more than happy to give it a try. On the day of the show, each contestant would have two songs.
On the 26th of December, I received the new song. I have never heard of the song before. It was a rap song. I was very unfamiliar with the lyrics. I found them very difficult. That was why I kept practicing it for more than four hundred times. The show was broadcasted live by NowTV. Around seven hundred thousand people watched the broadcast. I cannot imagine winning the Best Hong Kong Male Singer. When my name was announced, I was extremely delighted. Nobody can imagine that a westerner was able to sing a song about ‘real Hong Kong’. It can touch people. It was something that happened at the right place and at the right time. It was also surreal and a complete miracle. It is because the song was not selected by me. It was given to me by others. My eyes were often wet from practicing this song. I was very touched.
It is very difficult for westerners to develop their artistry in the entertainment industry. Chances are slim. They can only play roles that are irrelevant and unimportant. But I never thought of giving up. Five years ago I planned to record my own album. But because of stomach acid reflux, my vocal chords got damaged. My voice became hoarse and coarse. It brought me a lot of frustrations because I have worked hard for many years. Then this happened. I then amended my singing techniques and the issue improved significantly. I was able to sing again. I am now working on re-recording my new album.
A lot of ethnic minority issues materialized around me as of late. I am currently the voice over for a RTHK program about ethnic minorities in Hong Kong. It is very hard for them to develop their career in the local entertainment industry. It is because when 90 percent of the people share the same skin color comes together in a particular place, those watching TV or film will tend to watch people of their own skin color. They may not watch ethnic minorities. If a group of ethnic minorities work together to create a program for the web, it may work out. There are a lot of ethnic minorities residing in Hong Kong. Some of their Chinese is better than mine. They also love Hong Kong very much.
‘Hong Kongers’, to me, are people who need to do things ‘Hong Kongers’ do. Eat Hong Kong food. Care about Hong Kong. And do not look at skin color. I hope they can also speak Cantonese. Most importantly, they should regard Hong Kong as their home. Then, they are ‘real Hong Kongers’.
as you find me chords 在 itsAmanda! Youtube 的最佳貼文
There’s no score available, this cover was done by ear.
周杰倫6首經典情歌串燒來了!
明明就、青花瓷、擱淺、楓、手寫的從前、退後
周杰倫的歌比一般歌手的歌不容易聽膩
不管是旋律、和弦、還是歌詞都很特別
所有歌的key我都是照著原本的 沒有升高或降低
這也算是我其中一個強迫症🤣
每次彈cover我絕對不改key
因為我覺得人家歌手寫那個key一定有他的道理 所以我就是一定要照著他的key彈!
人家每次問我最喜歡聽誰的中文歌
我一定立馬回答周杰倫:))
他的歌我聽最多 所也才有辦法做接歌
之前在我IG精選動態也有即興彈周杰倫的接歌過
但那每首歌只需要彈15秒 所以很容易
這次彈這個一鏡到底 連著六首
我只能說 差點沒被我自己搞死🤣
因爲一鏡到底 沒有修音的緣故
所以有些微錯音還請大家多多包容🧡
希望你們喜歡這次的cover!
Here is a mashup of six songs I’ve pieced together from Jay Chou! @周杰倫 Jay Chou
I played all the songs with its original keys because I feel like there must be a reason the singer chose these keys for the songs.
Jay Chou has been my favorite Taiwanese singer since I was young - you won’t get tired of his songs easily because the melodies, chords and lyrics are just so unique.
I actually improvised Jay Chou’s songs on my Instagram before (you guys can still see it on my Instagram Highlight.) That was easy because I only had to play 15 seconds for each song:))
But now, there are six songs in a row, with a duration of 11 minutes in total (all done in one take)...so you might hear some wrong notes:p
Anyway, I hope you guys will love this cover the same as I do👾💞
🎵收音器材:
Microphone: https://bit.ly/3pJrEkB
Interface: https://bit.ly/3bNyXTJ
🔎Find me on Instagram: itsamandalo
https://www.instagram.com/itsamandalo/
📩Contact me: piano860623@gmail.com
as you find me chords 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳解答
Here is an English cover of "Kimi ni Todoke" by Japanese band flumpool. It was the theme song for the 2010 movie of the same name.
I have been getting a lot of requests for this song for a while, so I finally decided to give it a try. It was fun to translate into English and play around with the words (as always!), but it was a bit challenging to actually sing it with my vocal range, so the vocals aren't my best :-$
Also, there were a few places where it was hard to tell if the subject was "you" or "me" (Japanese doesn't always use a subject in each sentence), so please understand that this translation is just my interpretation :) Hope you like it!
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今日は、皆さんからいただいたリクエストの中で特に人気のあったflumpoolの「君に届け」の英語訳を作って歌ってみました(^^)/ この曲は、2010年の映画『君に届け』の主題歌でした。
この曲を英語に訳すのは、いつもと同じように楽しい作業でしたが、歌うことに関しては、歌えるキーに直してみると低い部分は低く、高い部分はかなり高いので歌うのがとても困難でした(ボーカルが怪しいところがあるかと思います(笑))。また、歌詞については、主語が「僕」なのか「君」なのか分かりにくい部分があったので、この翻訳はあくまでも私の解釈です。気に入っていただけると嬉しいです(^^♪ Enjoy!
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曲情報 / SONG INFO
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flumpool / Kimi ni Todoke (May It Reach You)
Released 2010
Lyrics: Ryuta Yamamura / Music: Kazuki Sakai
English Lyrics: Rebecca Butler Watanabe
flumpool/君に届け
2010年リリース
作詞:山村隆太/作曲:阪井一生
英語詞: 渡辺レベッカ
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リンク / LINKS
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■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
■Chords
(Coming soon)
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歌詞/LYRICS
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Oh, the way you look at me
With your eyes, precious and round
And your hands so small
And voice, a playful nasal sound
When you smile a smile so rare
I know I’m lucky to view
Yeah, you make another dream
I dreamed that day come true
Why do I find myself desiring
The happiness of everyone that passes by me?
Want to share my joy with all the world
Honestly, the day that we met
I can say it truly was the best in a while
And I want to protect that enchanting smile
Every day my feelings will grow
Which every coming year ‘til we are old
Want you to know how I really feel inside
I won’t hide the words only I can say
And hope that, now, they can find their way
Straight into your heart
There are times you want to run
And times you cry or break down
There are argument and always
Something to worry about
But you keep on walking forward
In your own special way
Underneath the sunlight pouring through the trees
You’re lovely
As lies and jealousy surround me, I won’t stray
Oh steady heart, please help to ground me
For I just have one simple wish
And now I am closing my eyes
Picturing a future by your side and I can see
That incredible smile that you showed to me
There’s one thing, just one thought that stays
On my mind forever and always
I love you so much I can’t keep it in
As I spin the words that I’ll only say
To you alone, may they find their way
Straight into your heart
And no matter how many sides of you I see
Maybe I’m overstating what I mean
But every one of them makes my heart skip a beat
And I wanna hold you tight
And if you were filled up inside with a sadness
I would go to your side to comfort you
I’d be there in the blink of an eye
Hear these words, the words that I shout
That I could not say to you ‘til now: “I love you”
Now I sing it aloud straight into your heart
来年も 再来年も
rainen mo sarainen mo
今以上に 君が好きで
ima ijou ni kimi ga suki de
それぐらい 僕のすべてで
sore gurai boku no subete de
僕にしか言えない言葉を 見つけたから
boku ni shika ienai kotoba wo mitsuketa kara
心まで交わしたい想い 君に届けたい
kokoro made kawashitai omoi kimi ni todoketai
as you find me chords 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最佳貼文
This is an English cover of "Sekai ni Hitotsu Dake no Hana" (The Only Flower in the World), a well-known song performed by Japanese boy band SMAP (founded in 1988 and disbanded just last year in 2016), with lyrics by singer-songwriter Noriyuki Makihara.
While I usually create my own translations, there was already a fantastic English version of this song by Hiromi De Young (YouTube linked below in the credits), and a great translation of the chorus by Nelson Babin-Coy (channel also linked). I used my favorite parts of each of these and made a few of my own changes.
I hope this song's message of acceptance and uniqueness reaches a larger audience through my cover.
Enjoy!
*Note: As usual, most of the translation is very close to the original meaning, but the second pre-chorus (the verse starting with "I saw a small flower...") is actually quite different from the original. However, I loved these lyrics so much that I kept them :)
The original meaning of the verse in Japanese is:
I didn't even know his name
But he gave me a smile that day
Just like a flower that was blooming
In a place where nobody would notice it
~♪~♪~♪~♪~♪~
今日は、昨年解散したSMAPの「世界に一つだけの花」を英語で歌ってみました♪
今回の英語詞はいつもと違って他人の訳詞を使わせていただきました。Hiromi De Youngによる素晴らしい英訳とNelson Babin-Coyによるサビ部分の素敵な英訳に、自分の変更を少し入れて歌わせていただきました。(お二人のYouTubeチャンネルへのリンクは下記のクレジットに記載しました。)
私のカバーを通じて、他人に対する寛容さと個性の大切さという、この曲のメッセージがより多くの人に伝わると嬉しいです。Enjoy!
※ちなみに、この英訳はいつものようにかなり原曲の歌詞に近いのですが、2番目のBメロ(「I saw a small flower」から始まるところ)だけが原曲の意味とかなり離れています。それでも、ここの英語詞があまりにも素敵だったのでそのままにしました(^^)/
I saw a small flower as I walked by
通り過ぎたら小さな花を見つけた
It stretched from the shadows to reach for the sky
その花は影の中から空へと伸びていた
I thought to myself, what if I was that way
そして思った 私もその花と同じように
Reaching for my own dream and saying...
自分の夢に手を伸ばして こう言おう
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曲情報 / SONG INFO
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SMAP/世界に一つだけの花
2003年リリース
作詞曲:槇原敬之
英語詞: Hiromi De Young、ネルソン・バビンコイ、渡辺レベッカ
SMAP / Sekai ni Hitotsu Dake no Hana (The Only Flower in the World)
Released 2003
Music/Lyrics: Noriyuki Makihara
English Lyrics: Hiromi De Young, Nelson Babin-Coy, Rebecca Butler Watanabe
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リンク / LINKS
~♪~♪~♪~♪~♪~
■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
■Chords
(Coming soon)
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歌詞/LYRICS
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No. 1にならなくてもいい
(No. 1 ni naranakute mo ii)
もともと特別なOnly one
(moto-moto tokubetsu na "Only one")
I saw all the flowers lined up on display
The shop full of colors with their scented embrace
We all have a blossom we like more than the rest
But I think, with flowers, they all are the best
No fighting or envy, they never contend
But smile in the sunlight and sway in the wind
They all know their mission, it fills them with pride
Everyone is different yet all are alike
I wonder why people must always compare
And judge one another it seems so unfair
To place color, status, and looks to the test
For how can these show us who’s the best?
Just like these flowers
In the whole wide world, you are one of a kind
Cherish your uniqueness, no, you don't need to hide it
Each one of us holds our own special seed
So just be true to you, that's all you'll ever need
A man stood beside me and peered with a sigh
He puzzled and pondered but could not decide
With so many flowers and various hues
All were so pretty, which one should he choose?
Suddenly, a big smile broke out on his face
Flowers in all different colors and shapes
He gathered up a bouquet with one of each kind
Hugging them softly with joy in his mind
I saw a small flower as I walked by
It stretched from the shadows to reach for the sky
I thought to myself, what if I was that way
Reaching for my own dream and saying...
そうさ 僕らも世界に一つだけの花
(sou sa bokura mo sekai ni hitotsu dake no hana)
一人一人違う種を持つ
(hitori hitori chigau tane wo motsu)
その花を咲かせることだけに
(sono hana wo sakaseru koto dake ni)
一生懸命になればいい
(isshou-kenmei ni nareba ii)
Small flowers, big flowers, all kinds of flowers
You will never find one that’s just like any other
So you don’t need to struggle to be number one
Just be yourself because there’s only one
La la la la...
as you find me chords 在 tips for switching from g chord to c chord on guitar - Music ... 的推薦與評價
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